Anthony White

Born 1976, Sydney
Lives and works in Paris

Artist's CV

Anthony White uses landscape and architectural references to work across disciplines of drawing, painting and collage.

Increasingly the artist is exploring the intersection of historical and current social issues and how they relate to the production of contemporary image making. 

White's works are often characterised by an awareness of surface and a preoccupation with the engagement of physicality and the found object. During 2015 the Pentimento body of work explore the direct working method of the Italian concept of Pentimenti Pentimento draws it’s name from the Italian Pentimenti. This phrase, which is used to describe a direct method of  layering, concealement, or changes to a work of art, which allows multitudinous readings, as one descends through different layers of the painterly surface

French techniques of indirect paper-based working methods – decollage and dechirage – which translate as ‘taking off’ and ‘tearing.’ The methods of decollage and dechirage were utilised by the early Affichistes in Paris. The Affichistes movement during the 1950’s were Raymond Hains and Jacques Villegle named for their work with collages of torn-up poster fragments. 

These physical experimentations have been utilised in recent collages from 2016. An investigation into dissent as an act of social disobedience was explored by White in the Melbourne exhibition As The Sleeper Wakes 2016. Utilising salvaged Paris metro subway advertisements the artist created collaged composition. Originally acting as a form of mass media they existed as a form of communication in a public space. Often they become vandalised and half torn down, tagged with gestural lines and people’s marks, these ‘affiches’ now become a more personal form of communication.  This body of work investigates ideas about the origin of the gestural line, and its original role as a form of dissent – essentially a form of social communication. These personal voices of dissent, reflect the broader voice of the public in regard to social problems. By dwelling on the pictorial forms inspired by the constant state of flux of these subterranean advertisements White finds fertile ground to draw upon for his contemporary forms of drawing and painting.

Anthony White has exhibited widely over the past decade with solo shows in Sydney, Melbourne, Paris and Hong Kong. White has also been regularly curated into group exhibitions focusing on Contemporary Painting in Sydney, London, Hong Kong, Paris and Brisbane. 

White has been awarded a number of international commissions and residencies, which have reportedly been influential in developing his body of work, surveyed in his solo exhibition at Le Pave D’Orsay, Paris (2014). 

 

\ Artworks

As the Sleeper Wakes II

2016 \ Oil on linen \ 122 x 122.5cm

Downtown

2015 \ Oil on linen \ 150 x 120cm

Eyrie

2016 \ Oil on linen \ 95 x 73 cm

Rubicon

2016 \ Oil on linen \ 150 x 120cm

The Apparatus I

2017 \ Oil and ripolin on linen \ 154.5x125cm

SOLD

The Hall of the Atlas I

2016 \ Oil on linen \ 121 x 76cm

The Landscape Is Never Innocent - (After Mannalargenna)

2017 \ Oil and Ripolin on Linen \ 156.5 x 125cm

SOLD

\ News

Media

Paintings by Anthony White hang in the New York residence of Baz Luhrmann and Catherine Martin—Elle Decor, September Edition

16 August 2018

Elle Decor profiles the New York residence of Australian filmmaking duo Baz Luhrmann and Catherine Martin, which includes paintings by Anthony White

Read more

\ Exhibitions featuring Anthony White

Spring Collector Exhibition

Group Exhibition

11 September — 6 October 2018

Anthony White

Sign of Civilisation

5 April — 21 April 2018

Summer Exhibition

Group Exhibition

6 December 2017 — 20 January 2018

Anthony White

Crossing the Rubicon

20 September — 30 September 2016

Contact Us

to find out more about Anthony White.

12 - 14 Meagher Street Chippendale, NSW 2008
Opening Hours
9am - 5pm Monday to Friday 11am - 4pm Saturday