Intuition: Morten Lassen

Morten Lassen is hell-bent in his insistence on chasing the moment where control gives way to instinct. He approaches the canvas without premeditation, allowing each work to unfold through attentive responsiveness rather than intention. What emerges is not an image, but a state of intuition.

Colour operates as both force and counterforce. Saturated fields collide with raw passages, silhouettes surface and dissolve, drawn textures accumulate and erode. These works are built through action and hesitation in equal measure. Lassen helps each piece to carry the weight of its own becoming. The surface holds evidence of time and pressure, as well as revision; countless marks that resist polish and instead insist on presence.

Lassen’s paintings are centred in lived experience. Meaning is not embedded but encountered. The viewer is invited into a sensory exchange where seeing is inseparable from feeling, and interpretation remains fluid. Ambiguity is not a byproduct but a condition—one that allows the work to stay alive, unsettled, and deeply human.

There is a quiet tension running through the exhibition. Is it the battle between immediacy and reflection that we are witnessing? Density and restraint? Intuition and resolve? The compositions appear to hover at the edge of coherence, refusing closure while maintaining an internal logic that feels instinctively (and almost impossibly) “right”. Each work stands at a moment of reckoning as Lassen makes his decisions not through rules, but by personal necessity.

This exhibition affirms Lassen as an artist committed to emotion rather than outcome. His paintings do not seek to explain themselves. Instead, they exist assertively and unapologetically as records of his intuition at work: human, resilient, and fully present.

Anthea Mentzalis
February, 2026

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