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Sydney Contemporary 2024: Booths A03 & E02

Past exhibition
September 4 - 8, 2024 ART FAIR
  • Essay
  • Selected Works
  • Installs
  • Nanda\hobbs
    Galleries - Booth E02
    Works on Paper - Booth A03

    Nanda\Hobbs’ 2024 Sydney Contemporary presentation draws on the unique visions of seven contemporary artists that recontextualise themes associated with contemporary society. 

     

    The diverse practices of Yoshio Honjo, Jonathan Dalton, Braddon Snape, Lottie Consalvo, Nicholas Blowers, Caroline Zilinsky, and Marie Mansfield make for an intriguing exhibition.  All possess strong technical abilities that allow them to morph traditional mediums to create innovative and intriguing visual dialogues.

     

    Lottie Consalvo transcends the boundaries of the visible and tangible, pushing into the mind’s capacity to explore the unbound possibilities of our existence and what lies beyond. Yoshio Honjo plays with the traditional fairytales from his native Japan - the interplay with contemporary consumerism is subtly woven into the delicate works that owe much to his heritage and career in tattooing. Caroline Zilinsky's work addresses the coercive nature of social media - truth-bending and the development of ‘simulated societal norms - that have become our contemporary reality at the core of her work for SC 24. Nicholas Blowers's investigations into the beauty in the deconstructed landscape owe much to the traditions of the landscape genre - yet are poignantly powerful in its contemporary context.  Jonathan Daltons' appropriation of contemporary artworks is seen through his inquiring mind and innovative recontexualstion - questioning the influence and power of imagery in society. Marie Mansfield draws the moments in our lives that are unspoken or ignored. Her noiresque images capture the fleeting times that are often forgotten -poignant and darkly beautiful. Bradon Snape's innovative sculptural works confuse accepted notions of materiality. His use of inflated steel, bending and contorted to his specifications - is created with a nod to how we operate in a world clinging to being human.

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  • Selected Works
    • Braddon Snape Allusive Object (Little Beauty Movement #2), 2024 Welded, mirror polished and air inflated stainless steel. H45.5 x W35.5 x D22
      Braddon Snape
      Allusive Object (Little Beauty Movement #2), 2024
      Welded, mirror polished and air inflated stainless steel.
      H45.5 x W35.5 x D22
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EBraddon%20Snape%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAllusive%20Object%20%28Little%20Beauty%20Movement%20%232%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWelded%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Emirror%20polished%20and%20air%20inflated%20stainless%20steel.%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EH45.5%20x%20W35.5%20x%20D22%3C/div%3E
    • Jonathan Dalton Meditation on Mass Media, Myth and Marilyn, 2024 Oil on board 55 x 60cm
      Jonathan Dalton
      Meditation on Mass Media, Myth and Marilyn, 2024
      Oil on board
      55 x 60cm
      Sold
    • Lottie Consalvo Close your eyes now, 2024 Acrylic on heavy sized linen 70 x 80cm
      Lottie Consalvo
      Close your eyes now, 2024
      Acrylic on heavy sized linen
      70 x 80cm
      Sold
    • Yoshio Honjo Kunoichi, 2024 Kumohadamashi Paper, Suihi-Enogu Sumi-ink 182 x 121cm Hand-stained FX Framed
      Yoshio Honjo
      Kunoichi, 2024
      Kumohadamashi Paper, Suihi-Enogu Sumi-ink
      182 x 121cm
      Hand-stained FX Framed
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EYoshio%20Honjo%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EKunoichi%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EKumohadamashi%20Paper%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ESuihi-Enogu%20Sumi-ink%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E182%20x%20121cm%3Cbr/%3E%0AHand-stained%20FX%20Framed%3C/div%3E
    • Nicholas Blowers Lost in a wood II, 2023 oil on canvas 147 x 207cm
      Nicholas Blowers
      Lost in a wood II, 2023
      oil on canvas
      147 x 207cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3ENicholas%20Blowers%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELost%20in%20a%20wood%20II%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E147%20x%20207cm%20%3C/div%3E
    • Caroline Zilinsky The Ponds, 2024 Oil on linen 137 x 122cm
      Caroline Zilinsky
      The Ponds, 2024
      Oil on linen
      137 x 122cm
      Sold
    • Marie Mansfield Days Like This, 2024 Oil On board 40 x 50cm
      Marie Mansfield
      Days Like This, 2024
      Oil On board
      40 x 50cm
      Sold
  • Installs

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Nanda\Hobbs acknowledges the Gadigal people of the Eora Nation as the traditional owners of the land upon which our gallery stands, and recognise their continuing connection to land, waters and culture.

12 - 14 Meagher St, Chippendale 2008

Gadigal Land (Sydney)

tel: +61 (0) 2 8599 8000
info@nandahobbs.com

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Saturday: 11am to 4pm

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