Disco / Inferno: Leslie Rice
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Disco/iNFERNO—part autobiographical, part allegorical and darkly amusing—is above all, a powerful existential narrative about finding hope in the bleakest of times.
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Ralph Hobbs
June 2021Leslie Rice’s exhibition, Disco/iNFERNO—part autobiographical, part allegorical and darkly amusing—is above all, a powerful existential narrative about finding hope in the bleakest of times. The artist holds little back in a metaphor-rich dance through his own underworld. For Rice, it has become an exercise extracting the past from his present, firmly placing it in another world. For the audience, our experience is entangled in the rich velvet ground of his painting surface and the swirling gravitas of his humour.
To immerse oneself in Disco/iNFERNO is like walking through the dark woods on a moonless night—once drawn in, we must find the way. Feeling for the imagery and its inherent meaning is a slow process. Light becomes an osmotic provider—the story reveals the more you persist. Art imitates life. To dismiss because it’s hard to see, is to miss the point. Nothing deep in life is easy. The artist asks, “why should we have a free ride in his divine comedy?”
Rice has always had a special relationship with pictures. He has lived with evocative imagery all his days—his former career as a second-generation tattoo artist has graced him with a deep understanding of mortal flesh and the irreversible relationship to personal stories told upon it. At its heart, Disco/iNFERNO tells the story of Rice’s experience of the trauma-laced last three years. The incineration of his tattoo business at the hands of a disgruntled patron and the ensuing emotional turmoil that was endured, set the stage for the swirling imagery of the artist’s imagination—laced with dark moments from art history. Ultimately, it has become a cathartic experience for the dark clown of Australian art. He is no fool though—his vision has always manifested in such a way that the artist has occupied the high wire in an art world that celebrates difference, yet, often paradoxically, seeks the banal.
A two-time winner of the prestigious Moran prize and a multiple Archibald finalist, Rice has for over a decade challenged how we perceive the world. This exhibition is a welcome return to the gallery walls for an artist who holds a unique position in contemporary culture for his unparalleled vision of what lies beneath the veneer of our existence.
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Works
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Leslie RiceCan't Get Santa Muerte (Out of My Head), 2021Acrylic on velvetF. 130.5 x 105cmSold -
Leslie RiceCanto One: Violence, Avarice and Incontinence , 2021Acrylic on velvet61 x 91.4cm; 90 x 120.5cm framedSold -
Leslie RiceFighting Fire with Fire (The Artist's Hand), 2021Acrylic on velvet20 x 25cm painting size; 32 x 37.5cm FramedSold -
Leslie RiceI'm with Stupid (The aRTIST's Hand) , 2021Acrylic on velvet20 x 25cm painting size; 32 x 37.5cm FramedSold -
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Leslie RiceNo Oil Painting (Portrait of Joseph merrick) , 2021Acrylic on velvet71 x 51cm; 91 x 71cm framedSold -
Leslie RiceSelf Portrait, Exercising Patience , 2021Acrylic on velvet183 x 122cm; 227 x 166cm framedSold -
Leslie RiceServitude (Doopity-do What you Mist) , 2021Acrylic on velvet61 x 46cm; 78.5 x 64cm framedSold -
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Leslie RiceThe Last Great Act of Defiance (The Artist's hand) , 2021Acrylic on velvet20 x 25cm painting size; 32 x 37.5cm FramedSold -
Leslie RiceThis is Fine (The aRTIST's Hand) , 2021Acrylic on velvet20 x 25cm painting size; 32 x 37.5cm FramedSold
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