Kim Spooner is a celebrated figurative artist who has held over 20 solo exhibitions across Australia. Drawing inspiration from the world around her, Kim crafts visual stories that reflect her profound understanding of both historic and contemporary art. Her work incorporates a deep knowledge of art-making techniques, literature, and cultural narratives; with expertise in traditional methods such as egg tempera and encaustic painting. Her paintings and drawings—ranging from intimate to grand in scale—weave together diverse subjects to create a collective narrative and spark social dialogue.

Dividing her time between studios in Sydney and the rural town of Cowra, Kim's artistic journey has also included numerous artist residencies in Europe and Australia, as well as personal "art-on-the-road" explorations. She is the author of "We Told You Not To Have Sex", a social history that examines the cultural shifts of the past six decades and their impact on her generation of artists. Portions of this manuscript will be released as a series of artist books, accompanied by "Book Marks", a collection of 300 small works on paper.

Beyond her personal practice, Kim’s artistic career spans multiple facets of creativity and advocacy. She has lectured for 25 years at the National Art School in Sydney, and worked with NSW Corrective Services, designing and delivering online programs to foster critical thinking among long-term inmates. From 2023–2024, she curated and managed IGNITE, a major fundraising art show at the University of Sydney, bringing together corporate leaders and Australian artists to support the Women4Change organisation. As a sole-supporting parent of three children, her life reflects resilience, dedication, and a deep commitment to art and community.

Kim is further committed to mentorship and regional engagement—guiding women artists through Regional Arts NSW, and contributing to discussions about the challenges of artmaking in isolated communities. Kim's work has earned her significant recognition both locally and globally. She has been a finalist in the Archibald Prize, the Sulman Prize, and the Dobell Prize—winning the Campbelltown Art Prize and the Portia Geach Award. Her art is held in many notable collections, including Parliament House, the National Portrait Gallery in Canberra, and various regional and private collections in Australia and overseas.