Stephanie Eather Australia, b. 1987

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  • Eather's vivid, gestural works emerge through a ritualistic process of observing, memorising, and reimagining, archiving fragments of places that sit between memory, dream, and imagination.
  • Biography
    Lives and works BETWEEN Sydney AND MELBOURNE

     

    Oscillating between Melbourne, Sydney, and Regional Australia, Melbourne-born artist Stephanie Eather examines painting and drawing as extensions of the body—ways to recall and recompose lived experience onto the planar. Her vivid, gestural works emerge through a ritualistic process of observing, memorising, and reimagining, archiving fragments of places that sit between memory, dream, and imagination.

     

    Eather’s practice began as a wayfarer, tracing her family history across North East Victoria and regional New South Wales. She sourced and handcrafted charcoal onsite from local willow trees, embedding material from place directly into her drawings. During the Covid-19 pandemic, she undertook an unplanned four-month woolshed-hop across the Riverina, an evocative journey that became a lasting anchor for her painting practice.

     

    In the studio, her paintings articulate reimagined environments through fervent oil marks that excavate the unconscious. Recycled merino wool as ground imbues her canvases with tactile memory—echoing the energy of shearers’ quarters, the knitting of a garment, or the warmth of a childhood blanket. Willow charcoal, soil, and fleece fibres serve as access points to memory, weaving the immaterial with the physical. This interlacing of body, place, and medium imbues her work with a remarkable affective force, inviting us into the reimagination of landscape and memory.

  • Works
    • Stephanie Eather, 649 garage days, 2025
      Stephanie Eather
      649 garage days, 2025
      Gouache and acrylic on recycled merino wool
      41 x 31cm
    • Stephanie Eather, Dad poured concrete for the boys basketball court, 2025
      Stephanie Eather
      Dad poured concrete for the boys basketball court, 2025
      Gouache and acrylic on recycled merino wool
      41 x 31cm
    • Stephanie Eather, Hot rocks and bathroom louvers, 2025
      Stephanie Eather
      Hot rocks and bathroom louvers, 2025
      Oil on recycled merino wool
      76 x 92cm
    • Stephanie Eather, My new teak bifolds, 2025
      Stephanie Eather
      My new teak bifolds, 2025
      Gouache and acrylic on recycled merino wool
      41 x 31cm
    • Stephanie Eather, Pebbled concrete and Dino's shed, 2025
      Stephanie Eather
      Pebbled concrete and Dino's shed, 2025
      Gouache and acrylic on recycled merino wool
      31 x 41cm
    • Stephanie Eather, Yellow powder coated steel hillshoist (was green), 2025
      Stephanie Eather
      Yellow powder coated steel hillshoist (was green), 2025
      Oil on recycled merino wool
      82 x 122cm
    • Stephanie Eather, You should do one of our caravan, 2025
      Stephanie Eather
      You should do one of our caravan, 2025
      Oil on recycled merino wool
      76 x 92cm
    • Stephanie Eather, You’re gonna want pegs at Sunny Downs, 2025
      Stephanie Eather
      You’re gonna want pegs at Sunny Downs, 2025
      Oil on recycled merino wool
      76 x 92cm
      Sold
    • Stephanie Eather, Reverse park it next to the tool shed underneath the powerline, 2024
      Stephanie Eather
      Reverse park it next to the tool shed underneath the powerline, 2024
      Oil on polycotton, framed
      61 x 61cm
    • Stephanie Eather, Solid gold grains and pulling the three metre timber pew in front of the campfire, 2023-24
      Stephanie Eather
      Solid gold grains and pulling the three metre timber pew in front of the campfire, 2023-24
      Oil on polycotton, framed
      104 x 206.5cm
    • Stephanie Eather, From a Getz to a Hilux over the soil on the Hay plains, 2023
      Stephanie Eather
      From a Getz to a Hilux over the soil on the Hay plains, 2023
      Oil on polycotton, framed
      61 x 77cm
    • Stephanie Eather, It felt like I was staring at a Bacon painting, 2023
      Stephanie Eather
      It felt like I was staring at a Bacon painting, 2023
      Oil on polycotton, framed
      61 x 61cm
    • Stephanie Eather, Packing the Ranger to head to Toganmain, 2023
      Stephanie Eather
      Packing the Ranger to head to Toganmain, 2023
      Oil on polycotton, framed
      77 x 61cm
  • Exhibitions
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